Autonomous Individual

I am a writer for social progress and a positive future for all the people in the world. My books are based on a deep understanding of group psychology and what motivates individual people. This understanding includes the notion that not every reader will be able to accept my books.

To create a better world, change is needed; we need to change some things we are today taking for granted, even if we believe that those things are dear to us. Change cannot happen in a stagnant and dogmatic world. My job, as a writer, is to wake up the masses to the need for change.

It is well known that all innovative ideas get a lot of resistance, because most people will not accept something until it is confirmed by their environment. Novel ideas usually require a tipping point – a point at which enough people accept it for it to start spreading, sometimes aided by support from a celebrity or authority. Of course, soon after this acceptance, it tends to become dogma, because these same masses want everybody to believe what they do, so that the few who still resist the idea are dismissed as much as the originators of the idea were.

That is because, by their very nature, most people take things at face value and judge according to the current beliefs without putting them in context. Consequently, they’ll get indignant if you even suggest they might have believed differently only a decade ago. Good examples are ideas about ethnic and gender equality and, more recently, sexual orientation equality, as well as notions about beauty. And not only social ideas, but scientific ideas, like the environmental issues, need a tipping point.

Consequently, speaking out for innovative ideas or against the way the world functions today, tends to not be welcomed – especially not by those who are doing well in today’s world; those in power and those who naturally follow or are quite cosy not thinking about social change.

In short, if a writer for social change wants to have an impact, the reader needs to be ready to be woken up. They need to be able to reconsider the beliefs and truths they have grown up with, and to suspend judgment. People who are used to getting their opinions from their environment or from authority – even if they are not always aware of that – will feel an inner resistance to reading what opposes such notions.

My books are written to achieve a re-evaluation of our norms and values. Readers who are not, by nature, autonomous individuals, will feel uncomfortable reading my books. It makes no difference what age you are, because this is part of your personality. Some adults will not grasp the underlying message of my stories, while an 11-year-old of the right personality will get it instantly. I am therefore not hereby making accusations or dismissing the people who naturally follow or don’t like social change. I am only saying, you might not like my books:

In the Real World follows two 16-year-old cousins, who, when trying to make sense of real world issues like war and human rights, find themselves in conflict with their school about obedience and uniforms. Although it starts on Anzac Day, the story could be set in any location, as it deals not with the actions of war, but with the emotions of it – emotions that exist in all people.

The protagonist of Soup and Bread is Vonnie, a healthy 11-year-old, whose carefree life is disrupted when Mum decides she had enough of fussy eaters, and the new boy at school accuses her of being a bystander to the bullying. After a confrontation with serious health and food problems in other children, Vonnie learns that she can use her own “lucky” body and mind to speak out for those who cannot stand up for themselves.

Lohland follows Kaie, who turns from an easy-going 13-year-old into an obnoxious teen when his parents decide to move to the independent city state of Lohland – which lies two hundred meters below sea level in a time when “global warming is real” – and which means he has to give up his comfortable home, his language, his calendar and the celebrations he is used to. But his boycott ends when he discovers the architecture and engineering works needed to keep his new home safe from global warming. Could he help make a positive difference for the future?

 The Happiness Inquisition is a novella, primarily written for adults, but suitable for age eleven and up. It begins with the victim of an act of child abuse being admitted to hospital and, through the eyes of five point of view characters, each of whom has a role to play in the events that lead to the tragedy, deals with the judgment of a society that thrives on guilt induction.

Of a Note in a Cosmic Song is the title of a five-part science fiction novel that spans eight years in the lives of a large group of space colonists. From the heartbreak of deciding to leave their planet, through the cabin fever of space travel and the desperation of the political and environmental unrest of their arrival upon their new home, the books take the reader with the colonists on a high-tech journey from the oppressive planet DJar to the mysterious and eerie Kun DJar. No matter how advanced, it takes more than technology to colonize a whole new world.

All eBooks are currently on sale and can be purchased directly through the links provided, both ePub and Kindle format. Print copies can be ordered directly via my website, but they are priced to include shipping costs from New Zealand.

Thank you for reading.

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Natural Talents and the Nightmare of Getting on Smashwords

Imagine a world in which, some two thousand years ago, every person was given a paintbrush and canvas, after which the result of their creation became the new standard for judging art quality and only those who matched this standard were allowed to paint. The work of people like Rembrandt and Van Gogh would have been repressed from childhood (today possibly with the help of Ritalin), since it was clearly not of equal quality as that of ‘most people’. Would humanity have enjoyed the cultural diversity that it knows now?

It is the same with every other talent; not just artistic talents, but talents like practical handicraft in trades, editing, accounting, technological skills, computer programming and writing. These talents come with a person’s inborn gifts and can be practised, but each of us has some talents and some weaknesses, which are part of our personality. That is necessarily so, because it is a result of how we process information and every personality type does that differently. If we all had the same talents, even potentially, we’d have a very boring world without progress.

In the writing world, writers used to be supported by publishers. A publishing house had some people with editing skills, others with marketing skills, others with illustration skills and printing or formatting skill and the writer could focus on their own natural talent, which usually had to do with the content of the topic they were writing on and not the technical aspects. Writers tend to initiate social change, prevent dogma and come up with novel ideas. Without those insights, the world would rapidly slip into dogma. Homosexuality, for example, started to get serious attention after writers (and filmmakers) started portraying it as normal. Until then the public opinion rejected it. The same applies to all other social issues, no differently than that hard science fiction writers often invent an idea for a technology before it gets developed. Writers, therefore, have a vital role in social progress.

But as a writer (in New Zealand), I am struggling to get onto the market. Not only can I not sell my hard copies outside of the country, because of the cost in postage, but local book shops and libraries go for what is popular, which tends to come from a foreign mass market. The local library will not accept my printed copies, but they have agreed to list my eBook titles. But, as they prefer to take them from Smashwords, I agreed to put my books there. It seemed simple enough.

But Smashwords is made for people who upload a word document (according to certain specifications) and then they make eBooks out of it, although they do have the option of uploading professionally made ePub files. But all my books were already professionally converted to eBook (both Mobi and ePub) by a converter who works to a high standard and there have never been complaints. Yet trying to get those books on Smashwords is an ongoing nightmare. With most of my books, I have to ask my converter to change something in the file, which tends to be explained in techno babble I cannot understand. Not only that, but the rejections seem inconsistent. For example, I have a five-part science fiction series, which all have a different title, but the same series title. Despite entering them with the exact same capitalization and punctuation, one was immediately accepted and the rest came back twice with requirements to change the title format. Now they have all been accepted, the reader might wonder why one of the titles does not match. If I try to change that, I risk it being rejected again. Additionally, the first book in the series, which was converted and created as ePub file, at the same time as all the others and according to the same format, keeps coming back as being faulty, so the readers can buy parts two to five, but not part one.

In short, Smashwords is nice if you have a word document and want to sell it as a book, but if you have already self-published, it is a lot of trouble. Sure, if you are skilled in electronic formatting, you have no problem, but that privilege is personality type dependent. That means that those personality types who prefer genres like hard science fiction and crime can upload their books easily, but not those who naturally lean towards the humanities (and social issues).

And Smashwords is one of the better ones. For one thing, it is trying very hard to make it accessible for all people, and the creators are most likely unaware of the personality types and therefore assume anybody can learn it as easily as they do. Yet it is exactly that understanding of personality types I am trying to promote with my books. So, we are stuck in a cycle: they don’t learn about psychology because those who write about it are less likely to be on the current market and therefore keep assuming that anybody can understand their technology.

In other words, not much has changed from before eBooks, when publishers rejected books for their content; if you expressed the already accepted opinion it was okay, because the objective of publishers was money, which also meant ignoring potential social issues. I have therefore no regret that the industry has changed to give independent writers more chance. But I am beginning to see problems if the new selection process ignores content and grammar altogether and only looks at the technical aspects.

But it gets worse. Contests are traditionally intended to find original and quality books and give the winners a chance to get their name out. Despite biases according to the chosen panel, the size of the contest and the entering requirements, there was the chance that a real-life reader recognized a book’s potential. But I recently saw an advert for a contest that selects their winner according to an algorithm that is created according reader behaviour – thus, no human judges involved – which is therefore outright selecting exactly that which is not original and puts us back at what the publishing houses used to do.

Bittersweet as this may sound, I am happy to give up trying to spend my time on pursuits like marketing, that are clearly not my expertise, so that, no matter how much time I spend on them, I will never stand out.

I am a writer by nature and I need people with other natural talents to support that. As long as our society is solely focused on money and promotes the misconception that everybody has the same potential psychology, it will continue to favour certain pursuits over others. All I can do is keep writing about it and know I have done everything in my ability.

What is in a Title?

Picking the title of a book is almost as difficult as writing its blurb and it is at least as important. There is no real agreement what makes a good title. Do they have to be catchy, original, outlandish, common, full of key words or simple?

Of my fiction books, two have a title that is common. I get at least one Google alert a day for those titles and they are never about my books.

My science fiction series has titles nobody else has, because I made those words up. I get no alerts.

I have two fiction books with original titles, but no indication that those get more or less attention than the common titles.

My non-fiction series has as its series title The Music of Life. This has resulted in it being put in the music section of some book shops, although the title is a metaphor and the books are about psychological types. The last of that series is just released, but the title for it had been created (and announced in the other books) at least six years ago.

I am not sure whether I would have picked a different title if I had to choose again. Personally, I tend to feel attracted to that which is different and am more likely to pick up a book with an odd title, just to see what it is about. But the the first thing many people say is,

Homological Composition! What does that even mean?”

Indeed, what does it mean? Does it mean that people are going to turn away, scared off by the title, or attracted to it, exactly because it is different?

Since the book is about psychological types and the theory explains why people react so differently to everything concerning information, I am pretty sure that there will be both reactions to the title, depending on the type of the person reading it.

And that goes for any title.

The reason I chose it is because “homology” refers to our common evolutionary origin that is expressed in similar, yet diverse, psychological human types, and a composition is an artistic or intellectual creation. Not only is the book an intellectual creation, but humanity with all its diversity is the composition that makes intellect and artistic expression possible.

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Rethinking International Media, Trade and Social Platforms

Millions of people use Facebook, LinkedIn, Twitter and other social media providers.

The film industry is still strongly dependent on Hollywood.

International authors depend on Smashwords and Create Space.

Most IT technology still operates from Silicon Valley.

In other words, the headquarters of most of our international information exchange is based in the USA.

But it is likely that information exchange from the USA will be censored more and more, that many opinions and expressions of free speech will become punishable, that books and films that criticize will be forbidden, that foreign entities will not be allowed to access these platforms.

Smart CEOs will diversify and move their headquarters elsewhere before it is too late, but not all of them have the financial means to do so and many may simply disappear.

It is up to the rest of the world to do something. It is not enough to use these channels to criticize Trump; we need to set up alternative international networks for social media and information exchange to support the existing ones and allow their vision to continue elsewhere.

IT geeks, moderators and organizers are needed as are companies who will take this on. Those of us who are the writers, filmmakers and users and have no technological skills need to support them. International libraries must start looking for their eBook listings in other places as well. Governments must support such exchange by making it as easy as possible for international opinions to be printed, screened and exchanged.

Just as with every other product that was conceived in one country and is now reproduced all over, so these media channels need to be based around the world, so that the voice of the people will not be silenced everywhere.

Freedom of speech depends on it.

 

 

 

 

Social Science Fiction

This weekend is the Armageddon convention in Wellington. I have managed to get a stall with two other Indie Writers and look forward to sharing my books and my interest in science fiction with so many other people.

So this post is here to help explain a little about my story.

Of a Note in a Cosmic Song is social science fiction – its main focus is on the topics of the social sciences, although it does feature some technology, ecology, geology and biology.

The story follows a group of 8000 colonists as they decide to leave their home planet (DJar) to embark on a four year journey on a most luxurious space ship (SJilai) to the nearest inhabitable planet (Kun DJar) to start a new life.

They are prepared for everything; they have relearned old trades, brought equipment to restart technology, supplies to restart growing and raising food (seeds, bee larvae and fish eggs) and their entire knowledge library on disk, ready to be transferred to paper in case the technology is slow to start. They know as much as they can know about their new home and it looks lush and stable. They are convinced that they have reached a level of technology to make this colony work and they have thought of everything…

Except that colonization IS about people.

That is the premise of the books, sparked by the notion that today’s scientists so easily refer to our technology to promise a better future without considering the human factor. If you load 8000 people on a space ship, they cannot all agree about the way the new society should function or how it should be ruled. And those who do not get a say will try and make their opinion heard another way. Or they get angry… and angry people can destroy technology and food supplies. Add some convicts the old planet wanted to get rid of, and you add more problems. And what if the winters are extremely long, the planet not as colony friendly as they’d hoped and nothing there is predictable by the scientific knowledge of the home planet… what if the native life forms have a mind of their own?

All those issues play throughout the books and in following eight point of view characters and getting to know many more of them, the reader is sure to feel close to some and unable to understand others.

And isn’t that what life is about? About getting along despite being different? About being people? Our western world has forgotten about the human factor in their drive for science and knowledge, technology and facts, just as many science fiction fans have forgotten that there is more to science than ideology, fancy technology and empirical data; that the danger to colonization does not come from aliens and cannot be solved by battle or quests, but from the colony itself.

Any colonization attempt should take the human factor under consideration. Those that do not are sure to fail.

 

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For more detail see www.nonentiti.com

 

 

Lohland by Nonen Titi

When thirteen year old Kaie learns that his parents intend to move to Lohland, which lies hundreds of meters below sea level in a time when “global warming is real”, and that he has to …

Source: Lohland by Nonen Titi

Soup and Bread by Nonen Titi

Eleven year old Vonnie is fussy about food, she hates Thursdays because it’s PE and she doesn’t like it when the teacher blames the whole class every time the bullies pick on Claire for…

Source: Soup and Bread by Nonen Titi

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